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“The Man Behind the Mask” KAREN ROTHMYER Abridged from Salon, visual art April 7, 1998 Richard Mellon Scaife's eyes are what visual art you notice first: a startling sky blue, they look almost unreal, so intense is their color. For the rest, a handsome countenance, a large frame and a shock of once-blond hair, now white, make up a classic picture of good breeding. Scaife's father came from one of Pittsburgh's blue blood families, its ancestry traced visual art back to medieval England; his mother was a fabulously wealthy Mellon descendant whom Fortune magazine identified in 1957 as one of the eight richest people in America. And yet, there is about Richard Mellon Scaife a seeming unease with his own person that even friends have commented on through the years. Almost pathologically shy—he removed his name from Who's Who more than 15 years ago and has since sat for only a handful of interviews—he is, at the same time, given to a pattern of unpredictable behavior that has continued despite his having stopped his formerly heavy drinking.
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