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pornvideoworld , sev, support, older woman sex stories , sarah cartwright, molester, men and woman having sex , otaku, mikes appartement , special education, letters to the editor, jane lynch, nikki reed, old wives tales sex of baby , pilipino, for, pedophiles, old men sex videos , teen gamers, milf hunter vickie , He does really wild stuff for the indie magazines- it pays nothing, but it allows him to build his portfolio. Then he'll go off and shoot some purchase catalogues for purchase a while. Nothing too exciting, but it pays the bills. Another example is somebody like Martin Amis. He writes "serious" novels, but he has to supplement his income by writing the purchase occasional newspaper article for the London papers (novel royalties are bloody pathetic- even bestsellers like Amis aren't immune). Or actors. One year Travolta will be in an ultra-hip flick like Pulp Fiction ("Sex"), the next he'll be in some dumb spy thriller ("Cash"). Or painters. You spend one month painting blue pictures because that's the color the celebrity collectors are buying this season ("Cash"), you spend the next month painting red pictures because secretly you despise the color blue and love the color red ("Sex"). Or geeks. You spend you weekdays writing code for a faceless corporation ("Cash"), then you spend your evening and weekends writing anarchic, weird computer games to amuse your techie friends with ("Sex").
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« ignore everybody | Main | put the hours in » August 01, 2004 the sex & cash theory otaku More thoughts on "How To Be Creative": 7. Keep your day job.I’m not just saying that for the usual reason i.e. because I think your idea will fail. I’m saying it because to suddenly quit one’s job in a big ol' creative drama-queen moment is always, always, always in direct conflict with what I call "The Sex & Cash Theory". THE SEX & CASH THEORY: "The creative person basically has two kinds of jobs: One is the sexy, otaku creative kind. otaku Second is the kind that pays the bills. Sometimes the task in hand covers both bases, but not often. This tense duality will always play center stage. It will never be transcended." A good example is Phil, a NY photographer friend of mine.
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