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The model for the farmer's wife in the picture was Grant's sister, Nan Wood Graham. Her face competes with Whistler's mother and the forensic and investigation services sitter for the Mona Lisa as the most well-known female subjects in a painting. Wood's philosophical position regarding the advancement of the Midwestern forensic and investigation services artistic experience manifested itself in many ways. He loved to share his enthusiasm for art with his students, and in the summers of 1932 and 1933, he oversaw the Stone City Art Colony, in which artists under his tutelage lived in a string of old ice wagons, forensic and investigation services like gypsies in Mexico. Grant Wood took pride in his region and created a painting style all his own. "Technique does not constitute art," he said. "Nor is it a vague, fuzzy romantic quality known as 'beauty,' remote from the realities of everyday life.
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